, Lucinda Williams Reunites with Jazz Band to Cover Jimi Hendrix's "Angel", Steve Earle Covers "Dublin Blues" On a New Guy Clark Tribute Album, Full Albums: Lucinda Williams’ ‘Car Wheels on a Gravel Road’, Covering the Hits: “Mother in Law” (Ernie K-Doe / Allen Toussaint), Jeff Tweedy Covers Neil Young at Chicago’s Legendary Hideout Venue, Netflix Show ‘Bridgerton’ Is Overflowing with Classical Covers of Modern Pop Hits, Caroline Polachek’s Corrs Cover Will Leave You “Breathless”, Fleshgod Apocalypse Destroy and Redeem Eiffel 65’s “Blue”, Order of Operations, ‘Love Me Til My Heart Stops’, “You Got Soul”: Jon Batiste Covers The Impressions in New Pixar Film, They Say It’s Your Birthday: Donald Fagen, Brass Against Cover Tool’s “Stinkfist” with Horns, Sara Noelle Calls for Unity with Oasis Cover, Full Albums: Elvis Costello’s ‘This Year’s Model’, Full Albums: Crosby, Stills, Nash & Young’s ‘Deja Vu’, Five Good Covers: “She’s Gone” (Hall & Oates), Five Good Covers: “Mr. The song is an outlier even on Stoner’s album bloom, where all other tracks features his guitar and more emotive vocals than on this track. Rated #35 in the best albums of 1998, and #2043 of all-time album.. Car Wheels on a Gravel Road, which includes the Grammy nominated track "Can't Let Go", became Williams' greatest commercial success to date. Car Wheels won the Grammy for Best Contemporary Folk Album, but no track broke through to mainstream acclaim. You know he means business, since he recorded his most recent album in the cabin that Johnny Cash built (later converted to a recording studio). In contrast to the previous track, this song about musician Blaze Foley—his stormy life and tragic death—deserves the fullest embrace of the emotions on Williams’ mind and heart. Capo on 4th fret / D Am D Am D Am C G D Am D Am Sittin in the kitchen a house in Macon D Am C G Loretta's singing on the radio D Am C G Smell of coffee eggs and bacon D Am C G Car wheels on If Car Wheels defies neat categorization, “2 Kool” is one of the reasons for that. Released 30 June 1998 on Mercury (catalog no. But had Duane Jarvis lived longer, he might have achieved stardom himself. From their Bandcamp bio: “They currently make music in their respective homes of Atlanta, GA and Roanoke, VA, but every now and then get together to sang.” And they sure can sang. Lucinda Williams – vocals, acoustic guitar, This page was last edited on 11 January 2021, at 06:25. Format: CD, Year: 1998, Label: Mercury Records (314 558 338-2), Barcode: 731455833829, Length: 51:48 Release “Car Wheels on a Gravel Road” by Lucinda Williams - MusicBrainz Log In Lucinda Williams : Car Wheels On a Gravel Road CD (2000) Title: Car Wheels On a Gravel Road Artist: Lucinda Williams Genre: Country|Country-Rock Duration: 51.40 mins Format: CD / Album Type: CD No. Let’s pull over to admire the achievement. Very similar to Lucinda Williams - Car Wheels On A Gravel Road and Lucinda Williams - Car Wheels On A Gravel Road but with a different matrix Jewel case with a clear tray. late-’90s hip-hop influence? 13 tracks (53:09). It doesn’t apply to The Redhill Valleys. They trade verses back and forth, and then sweetly blend voices on the “All I ask…” refrain. It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. The 5-string banjo rendition of “Greenville” is from a recent lockdown session, and it sounds really fresh–one part old-timey Appalachian music, one part traditional Celtic music, and one part Chris Thile. Taking an encore in some intimate venue, Ben Lee brings up Sally Seltmann (performing under the moniker New Buffalo) to take on a sweet song about a tour bus romance. It’s an interesting way to personalize the song. It’s the work of an artist in full maturity and hard-won control, wrested from a male-dominated music scene. It’s a song that doesn’t come from any standard-issue songwriter template. This is the only cover on our list with a piano arrangement—no guitars take part, nor does any other instrument. The sole cover song of the album—“Cant Let Go” by Randy Weeks—arguably made Randy’s career, and Lucinda’s too. Track List: 1.1 Right in Time 1.2 Car Wheels on a Gravel Road 1.3 2 Kool 2 Be 4-Gotten 1.4 Drunken Angel 1.5 Concrete and Barbed Wire Country blues, honky-tonk, Southern Gothic ballads, and even some good old heartland rock make it onto the Car Wheels quilt. “Joy” is another one of the genre-defying tracks on the album. It was six years in the making by some accounts, and involved scrapping the first complete attempt and re-recording it. Looking back, most would agree that among the most prominent peaks in the entire mountain range is Lucinda Williams’ Car Wheels on a Gravel Road. Here’s a song about the walls dividing us, performed by two Spanish musicians who prove that language is no barrier. Car Wheels is so marinated in Louisiana that a Cajun-flavored accordion sound has to be part of our mix. In the end, Car Wheels on a Gravel Road is Williams' third straight winner; although she might … Part of the fun is not knowing what genre or period he will tackle next, and with what instrument. Lucinda Williams has been touring behind the 20th anniversary of her most popular album, Car Wheels on a Gravel Road, and the celebration continued with a … But the stellar vocals (Wyatt Espalin) and tasty fiddle break (Espalin again) make for a winning combination. The other reason Jarviz gets the nod is that he co-wrote the song–on that count he’s got everyone else beat. The album was certified Gold by the RIAA and earned Williams a Grammy Award for Best Contemporary Folk Album, while … The album won a Grammy for Best Contemporary Folk Album, and was Williams' first album to go gold. It’s also the subtle changes unique to their arrangement, and the deft guitar- and banjo-playing. We come to yet another of Lucinda’s odes to a lover or friend who has passed—a prayerful hope that he didn’t die alone and uncomforted. Bedrock that was long covered over–songs by the Carter Family and the Stanley Brothers, say–got brought to the surface again and mixed in with the new. The amazing Shemekia Copeland and band have a good-time romp with it, too. “Can’t Let Go” was written by Randy Weeks, and it earned him a Grammy nomination. It’s a strong performance by the Memphis-based singer, who has covered more than one track from this album. (Check out their cover of the B-52s to see their more exuberant side.) It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. There’s not much in the way of a bio for these performers. Are they brothers? [4] She also worked with Steve Earle who said of the experience that it was "the least amount of fun I’ve had working on a record. Even in the unorthodox spelling of the song title (yearbook inscription? No spinning wheels here: this duo gets traction from the get-go. Genres: Alt-Country, Americana, Singer/Songwriter. Lucinda takes a liking to outliers, so we are glad to share this cover. [6] Williams incorporated country and blues elements into her modern roots rock style for the album. Her 1998 album Car Wheels On A Gravel Road was her masterpiece, a Grammy-award winner for Best Contemporary Folk Album that needs to be listened to on the open road as the title would imply. It’s as if he’s imagining that he is the child in the backseat, but that doesn’t stop him from driving the song. See the the cover photos, artwork, and latest images for Car Wheels On A Gravel Road by Lucinda Williams. There are a few fine covers of this killer song, including one by the actor Peter Gallagher. There are a few fine covers of this killer song, including one by the actor Peter Gallagher. 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More than that, it’s a really fine distillation. In the latest episode of Rolling Stone’s 500 Greatest Albums, our new podcast on Amazon Music, we dive into Lucinda Williams’ 1998 masterpiece Car Wheels on a Gravel Road, an album … "[5], The final version of Car Wheels on a Gravel Road was produced by Roy Bittan. Car Wheels on a Gravel Road won a Grammy Award for Best Contemporary Folk Album, and received a nomination for Best Female Rock Vocal Performance for the single "Can't Let Go". The Canadian alt.country band has a lot of hat, but they have all the musicianship to back it up—there’s sizzle and steak. On their interpretation of the Car Wheels title track, the duo Tree Leaves clings to the original almost too tightly. The song would go on to be nominated for a Grammy. The other reason Jarviz gets the nod is that he co-wrote the song–on that count he’s got everyone else beat. Buy Car Wheels On a Gravel Road. Check out more Lucinda Williams covers in our archives. In 2003, the album was ranked number 304 on Rolling Stone magazine's list of the 500 greatest albums of all time. Prince reference? [22] In The Rolling Stone Album Guide (2004), David McGee and Milo Miles said it is a masterpiece of timeless quality and greater depth than anything else by Williams, who offers a perfect collection of "faces, fights, keening swamp guitar and sighing accordion, strong drink and stronger lust in an album about places shadowed by memory". [1], Car Wheels on a Gravel Road was met with widespread critical acclaim. But the version to spotlight here is by the late great Duane Jarvis. He shines very brightly on this track. He sings, in comparison, with a cool remove–2 Kool, some might say–but one that is in keeping the spareness of the piano. But the album has become the subject of stories, too. First of all, it features an accordion. It even takes a side-trip into the Beatles’ “I Want You (She’s So Heavy).” Call it Car Wheels on Abbey Road maybe? According to Morlix, the recordings (in Austin, Texas) were "90% done," but Williams shelved them and redid them in Nashville. 558 338-2; CD). But her band is noteworthy too—it’s basically the Phantom Blues Band that backs Taj Mahal. Hardin is in a band called Small Time Napoleon, if you want to see what he’s been up to since recording this take many years ago (short answer: a lot). It’s not like Williams packed the album with chart-topping hits. “I Lost It” stands out on the album as a rocker; it’s almost in the Tom Petty vein. It takes a certain self-possession to translate the song such that it stands authentically on its own. ), Lucinda Williams breaks rules. But she ran into obstacles on the west coast, too. Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams. Everything about the performance is nicely understated—when you’re this good, you get to be this chill. They called him “sideman to the stars” back when this recording came out in 2000, and that was true enough. This aggressive live take is by Tim Easton, who has worked with Lucinda in the past–he considers her a mentor. Sits neatly along side the Rafferty (‘s Folly) version of R&L Thompson’s Shoot Out the Lights. Copeland’s voice sounds smooth on the phrases where Williams’ voice goes rough, but both deliveries get the job done. The upcoming album follows up 2017's Sweet Old World rerecording, This Sweet Old World . “Blessed” (2011) Anyone still clinging to the school of thought that artists tend to do their best work … The album features guest appearances by Steve Earle and Emmylou Harris. Car Wheels on a Gravel Road is the fifth studio album by Lucinda Williams. length: 4:45 vocal: Lucinda Williams and Buddy Miller mixer: Rick Rubin and Jim Scott electric guitar: Gurf Morlix percussion: Donald Lindley co-producer: Lucinda Williams drums (drum set): Donald Lindley (Townes Van Zandt, Kings of Leon, and Gurf Morlix have also penned songs about Foley.) The Wilson sisters pay Williams a heartfelt tribute (no pun), and the only sorrow is that the videographer only  captured half the song. It's a thoughtful (but rollicking, and sometimes bitter) collection that traverses the grounds of loss, lust, and stories from a thousand little roadside bars across America. (It was a punk label, Rough Trade, that gave Williams her first recording contract.) The simplicity she achieves doesn’t mean anyone can pick up a guitar and play it well. After signing a record deal with Rick Rubin's American Recordings label, Williams began recording songs for Car Wheels on a Gravel Road in 1995. Powerhouse blues vocalist Barbara Blue nails this tribute; if she didn’t know Foley herself, it seems certain that she knew someone like him. The latter also worked with the songwriter on her 1998 effort Car Wheels on a Gravel Road. Car Wheels On A Gravel Road is a great track, with a slow, solid, slightly bluesy backbeat and a lazy, laconic but appealing vocal from Williams. Perhaps because she didn’t write this song, Lucinda lets go on it. Car Wheels on a Gravel Road would go on to win the Grammy for Best Contemporary Folk Album. The album is over 20 years old, but time doesn’t wear it down, and in the rear view mirror it still looms large. It takes someone like Caleb Caudle. Got an idea for a future pick? Even the title of this album, Car Wheels On A Gravel Road, is so idyllic in its bluntness and exactitude. Copeland’s band is not kidding around; they are deep in the pocket and bringing the singer obvious delight. Whatever that sweet-and-sour interval is that they hit on the word “ask” (which they take straight from Car Wheels), its perfection, and it’s all you can ask for in a plaintive love song. Leave a note in the comments! It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. Williams left two successive producers in the ditch along the way, both of them long-time friends. It topped the annual Pazz & Jop poll and earned Williams a Grammy Award for Best Contemporary Folk Album, although AllMusic's Steve Huey later said it was her "least folk-oriented record". [2] Universally acclaimed by critics, it was voted as the best album of 1998 in The Village Voice's annual Pazz & Jop critics poll. It isn't surprising that Lucinda Williams' level of craft takes time to assemble, but the six-year … [3] The album was originally made in collaboration with Williams's long-time producer and guitar player Gurf Morlix. [15] The music writers of The Associated Press voted it one of the ten best pop albums of the 1990s. The Redhill Valleys could play it behind a tiny desk, in a saloon, or in a hockey stadium and they’d still sell it, with their three-part harmonies, snarling guitar-work, and unbeatable bootwear. After I’d won a [Best Contemporary Folk Album] Grammy for Car Wheels on a Gravel Road, I couldn’t make the same record again. (Or maybe not.). [1] In a five-star retrospective review, About.com's Kim Ruehl credited the album with solidifying Williams' status as one of the best singer-songwriters of all time, as she "single-handedly marries the genres of traditional and alternative country, roots rock and American folk music so smoothly, it almost feels like magic. Given the Gurf-helmed version is available “out there”, give it a listen for the contrasts. Listen to Car Wheels On A Gravel Road for free online and … It’s a nice moment when they sing in unison on the verses, but switch to harmonizing on the refrain. Few artists can make a song seem newly-born and yet ancient at the same time. It was “Can’t Let Go” by Lucinda Williams from my favorite album of all time, Car Wheels On A Gravel Road, which turns 20 tomorrow. There’s more than a hint of John Prine here (Prine’s another one of Williams’ writing and drinking buddies). You can sense a theme here: surely Lucinda’s “Jackson” is a response to the more famous “Jackson” recorded by Johnny and June Carter Cash? The playing is 101-level, with minimal chording and no ornamentation. So we can follow suit and get outside the usual conventions with the artist Stoner. The album features guest appearances by Steve Earle and Emmylou Harris. The Skipperdees’ timing is impeccable throughout, important in a song that’s about being in time. But the version to spotlight here is by the late great Duane Jarvis. Despite the spurned-lover viewpoint, this Car Wheels track has a breezy playful vibe about it. [11] NME magazine said Williams transfigures "American roots rock into a heady, soul-baring and, would you believe, unabashedly sexy art form",[12] while Uncut credited the album with "repositioning country-blues roots rock as contemporary Southern art" and offering listeners "a sense of life and place that leap from every line and guitar lick". All tracks by Lucinda Williams except where noted. Grammy Award for Best Contemporary Folk Album, "Lucinda Williams Tops Folk Albums Chart, U2 Hits Alternative Songs Milestone", "Car Wheels on a Gravel Road – Lucinda Williams", "Dandy Williams: Much delayed and breathlessly awaited, Lucinda's gritty new cycle of songs Wheels so good", "Lucinda Williams, 'Car Wheels on a Gravel Road,' Mercury", "Lucinda Williams – Car Wheels on a Gravel Road", "Lucinda Williams: Car Wheels on a Gravel Road", "Lucinda Williams – Car Wheels on a Gravel Road CD Album", "Lucinda Williams – Car Wheels on a Gravel Road, Deluxe Edition", "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time", https://en.wikipedia.org/w/index.php?title=Car_Wheels_on_a_Gravel_Road&oldid=999646281, Short description is different from Wikidata, Album articles lacking alt text for covers, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Still I Long For Your Kiss" (Alternate version) (Williams, Jarvis) – 5:00, Recorded live on July 11, 1998, at Penn's Landing in Philadelphia, "Something About What Happens When We Talk" – 3:44, "Still I Long For Your Kiss" (Williams, Jarvis) – 4:39. ¡Otra, otra! Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams. In the middle of the re-recordings, they "butted heads in the studio" and ended their partnership. It was Williams' first album to go gold,[1] and remains her best-selling album to date, with 872,000 copies sold in the US as of October 2014. Are they aware of the Skipperdees? 8-page booklet including lyrics. [17] Village Voice critic Robert Christgau argued at the time that she proves herself to be the era's "most accomplished record-maker" by honing traditional popular music composition, understated vocal emotions, and realistic narratives colored by her native experiences and values:[18], Williams's cris de coeur and evocations of rural rootlessness—about juke joints, macho guitarists, alcoholic poets, loved ones locked away in prison, loved ones locked away even more irreparably in the past—are always engaging in themselves. In the end it all worked out (though Gurf Morlix may disagree): William got a certified gold record, and America(na) got a landmark album for music lovers of all persuasions. Superb. "[20] In 2003, Rolling Stone magazine called the record an alternative country masterpiece and ranked it number 304 on their list of The 500 Greatest Albums of All Time, 305 in 2012 revised list,[21] and 98 in their 2020 list. When she got all the men involved to listen, finally, she then got the music to sound the way she wanted it to: more like The Pretenders, less like Bobbie Gentry. Sweden’s The Tallest Man on Earth has been sharing a cornucopia of covers during quarantine. Free Download Lucinda Williams - Car Wheels On A Gravel Road (1998) Retail CD Covers and Album Art available on AllCDCovers If the loud cheering seems out of step in this performance by Heart, remember that the song is also a celebration of place: especially Lake Charles, Louisiana, where this show took place. Here’s a very different version of “Lake Charles,” from a much different artist and setting—but it’s a complete version. Bojangles” (Jerry Jeff Walker), Five Good Covers: “What’s Up” (4 Non Blondes), Five Good Covers: “Hurt” (Nine Inch Nails), Five Good Covers: “What A Fool Believes” (Kenny Loggins / The Doobie Brothers). There’s an innocence to this phrase, “Car wheels on a gravel road.” Williams’ melodic wording is sensitive to the bumps you feel, bumps that manifest as … Écoutez Car Wheels On A Gravel Road par Lucinda Williams sur Deezer. [9] Richard Cromelin of the Los Angeles Times said her "resonant, resolute and reassuring" answers to the questions romantic passion and pain pose are as ambitious as the "rich", commanding sound she crafted with producers Steve Earle and Ray Kennedy. Lucinda Williams offers Vancouver audiences an intimate show and tell for her classic Car Wheels On a Gravel Road by Allan MacInnis on June 25th, 2019 at 11:53 AM 1 of 4 2 of 4 Beginning around 1990, a major mountain range began forming along the fault lines where country music, punk-influenced rock, and traditional folk music meet. It’s not even the honky-tonk piano you might expect. You’ve heard the dismissive remark “They’re all hat and no cattle”? Car Wheels on a Gravel Road Album Cover Art ... 2 Car Wheels on a Gravel Road. The song has a severe edge to it that you don’t find much in singer-songwriter music—if there’s not a punk cover out there somewhere, there needs to be. View credits, reviews, tracks and shop for the 2014 180 g Vinyl release of Car Wheels On A Gravel Road on Discogs. Car Wheels on a Gravel Road, an Album by Lucinda Williams. Even then the drama was far from over, but here it becomes a tale of record label shenanigans rather than music-making. 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, Lucinda Williams Reunites with Jazz Band to Cover Jimi Hendrix's "Angel", Steve Earle Covers "Dublin Blues" On a New Guy Clark Tribute Album, Full Albums: Lucinda Williams’ ‘Car Wheels on a Gravel Road’, Covering the Hits: “Mother in Law” (Ernie K-Doe / Allen Toussaint), Jeff Tweedy Covers Neil Young at Chicago’s Legendary Hideout Venue, Netflix Show ‘Bridgerton’ Is Overflowing with Classical Covers of Modern Pop Hits, Caroline Polachek’s Corrs Cover Will Leave You “Breathless”, Fleshgod Apocalypse Destroy and Redeem Eiffel 65’s “Blue”, Order of Operations, ‘Love Me Til My Heart Stops’, “You Got Soul”: Jon Batiste Covers The Impressions in New Pixar Film, They Say It’s Your Birthday: Donald Fagen, Brass Against Cover Tool’s “Stinkfist” with Horns, Sara Noelle Calls for Unity with Oasis Cover, Full Albums: Elvis Costello’s ‘This Year’s Model’, Full Albums: Crosby, Stills, Nash & Young’s ‘Deja Vu’, Five Good Covers: “She’s Gone” (Hall & Oates), Five Good Covers: “Mr. The song is an outlier even on Stoner’s album bloom, where all other tracks features his guitar and more emotive vocals than on this track. Rated #35 in the best albums of 1998, and #2043 of all-time album.. Car Wheels on a Gravel Road, which includes the Grammy nominated track "Can't Let Go", became Williams' greatest commercial success to date. Car Wheels won the Grammy for Best Contemporary Folk Album, but no track broke through to mainstream acclaim. You know he means business, since he recorded his most recent album in the cabin that Johnny Cash built (later converted to a recording studio). In contrast to the previous track, this song about musician Blaze Foley—his stormy life and tragic death—deserves the fullest embrace of the emotions on Williams’ mind and heart. Capo on 4th fret / D Am D Am D Am C G D Am D Am Sittin in the kitchen a house in Macon D Am C G Loretta's singing on the radio D Am C G Smell of coffee eggs and bacon D Am C G Car wheels on If Car Wheels defies neat categorization, “2 Kool” is one of the reasons for that. Released 30 June 1998 on Mercury (catalog no. But had Duane Jarvis lived longer, he might have achieved stardom himself. From their Bandcamp bio: “They currently make music in their respective homes of Atlanta, GA and Roanoke, VA, but every now and then get together to sang.” And they sure can sang. Lucinda Williams – vocals, acoustic guitar, This page was last edited on 11 January 2021, at 06:25. Format: CD, Year: 1998, Label: Mercury Records (314 558 338-2), Barcode: 731455833829, Length: 51:48 Release “Car Wheels on a Gravel Road” by Lucinda Williams - MusicBrainz Log In Lucinda Williams : Car Wheels On a Gravel Road CD (2000) Title: Car Wheels On a Gravel Road Artist: Lucinda Williams Genre: Country|Country-Rock Duration: 51.40 mins Format: CD / Album Type: CD No. Let’s pull over to admire the achievement. Very similar to Lucinda Williams - Car Wheels On A Gravel Road and Lucinda Williams - Car Wheels On A Gravel Road but with a different matrix Jewel case with a clear tray. late-’90s hip-hop influence? 13 tracks (53:09). It doesn’t apply to The Redhill Valleys. They trade verses back and forth, and then sweetly blend voices on the “All I ask…” refrain. It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. The 5-string banjo rendition of “Greenville” is from a recent lockdown session, and it sounds really fresh–one part old-timey Appalachian music, one part traditional Celtic music, and one part Chris Thile. Taking an encore in some intimate venue, Ben Lee brings up Sally Seltmann (performing under the moniker New Buffalo) to take on a sweet song about a tour bus romance. It’s an interesting way to personalize the song. It’s the work of an artist in full maturity and hard-won control, wrested from a male-dominated music scene. It’s a song that doesn’t come from any standard-issue songwriter template. This is the only cover on our list with a piano arrangement—no guitars take part, nor does any other instrument. The sole cover song of the album—“Cant Let Go” by Randy Weeks—arguably made Randy’s career, and Lucinda’s too. Track List: 1.1 Right in Time 1.2 Car Wheels on a Gravel Road 1.3 2 Kool 2 Be 4-Gotten 1.4 Drunken Angel 1.5 Concrete and Barbed Wire Country blues, honky-tonk, Southern Gothic ballads, and even some good old heartland rock make it onto the Car Wheels quilt. “Joy” is another one of the genre-defying tracks on the album. It was six years in the making by some accounts, and involved scrapping the first complete attempt and re-recording it. Looking back, most would agree that among the most prominent peaks in the entire mountain range is Lucinda Williams’ Car Wheels on a Gravel Road. Here’s a song about the walls dividing us, performed by two Spanish musicians who prove that language is no barrier. Car Wheels is so marinated in Louisiana that a Cajun-flavored accordion sound has to be part of our mix. In the end, Car Wheels on a Gravel Road is Williams' third straight winner; although she might … Part of the fun is not knowing what genre or period he will tackle next, and with what instrument. Lucinda Williams has been touring behind the 20th anniversary of her most popular album, Car Wheels on a Gravel Road, and the celebration continued with a … But the stellar vocals (Wyatt Espalin) and tasty fiddle break (Espalin again) make for a winning combination. The other reason Jarviz gets the nod is that he co-wrote the song–on that count he’s got everyone else beat. The album was certified Gold by the RIAA and earned Williams a Grammy Award for Best Contemporary Folk Album, while … The album won a Grammy for Best Contemporary Folk Album, and was Williams' first album to go gold. It’s also the subtle changes unique to their arrangement, and the deft guitar- and banjo-playing. We come to yet another of Lucinda’s odes to a lover or friend who has passed—a prayerful hope that he didn’t die alone and uncomforted. Bedrock that was long covered over–songs by the Carter Family and the Stanley Brothers, say–got brought to the surface again and mixed in with the new. The amazing Shemekia Copeland and band have a good-time romp with it, too. “Can’t Let Go” was written by Randy Weeks, and it earned him a Grammy nomination. It’s a strong performance by the Memphis-based singer, who has covered more than one track from this album. (Check out their cover of the B-52s to see their more exuberant side.) It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. There’s not much in the way of a bio for these performers. Are they brothers? [4] She also worked with Steve Earle who said of the experience that it was "the least amount of fun I’ve had working on a record. Even in the unorthodox spelling of the song title (yearbook inscription? No spinning wheels here: this duo gets traction from the get-go. Genres: Alt-Country, Americana, Singer/Songwriter. Lucinda takes a liking to outliers, so we are glad to share this cover. [6] Williams incorporated country and blues elements into her modern roots rock style for the album. Her 1998 album Car Wheels On A Gravel Road was her masterpiece, a Grammy-award winner for Best Contemporary Folk Album that needs to be listened to on the open road as the title would imply. It’s as if he’s imagining that he is the child in the backseat, but that doesn’t stop him from driving the song. See the the cover photos, artwork, and latest images for Car Wheels On A Gravel Road by Lucinda Williams. There are a few fine covers of this killer song, including one by the actor Peter Gallagher. There are a few fine covers of this killer song, including one by the actor Peter Gallagher. 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