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1 Jan. Available for everyone, funded by readers. WHO has received generally positive reviews from critics and fans alike. BROWSE ALL ALBUM REVIEWS. It's nearer to this album's temper and would have made a hell of an LP title if this proves to be their final record. Album Review: The Who – Who (2019) moderntimesrnr New Releases December 27, 2019 3 Minutes The Who are back at it with some good tunes and a decent amount of variety. Moreover, the changing mood fits Daltrey’s vocals perfectly: gruffer and more weathered than it once was, his voice imbues the lyrics with a sense of hard-won experience, alternately weary and fraught. Then again, it feels, well, very Who. I Don’t Wanna Get Wise views a rock career as one of inevitable decline – from “snotty young kids” to “over-full, always sated, puffed-up and elated” – while Hero Ground Zero and Rockin’ in Rage both pitch fears of superannuation against the continued desire to create: “I’m too old to fight … I don’t have a right to join the parade,” suggests the latter, before adding: “you know you must write, you know you must rage.”. By the time punk arrived, he was declaring himself old and irrelevant: “Am I doing it all again? Then again, it feels, well, very Who. Sounds like a long time? that brings "All This Music Must Fade" to a close. According to Metacritic scores, fans gave the album a 7.4/10 star rating, while critics gave the album a 79/100 score. Townshend sings lead on “I’ll Be Back,” a nostalgic tune with strings and harmonica, that seems lifted from his “All the Best Cowboys Have Chinese Eyes” 1982 solo album. Unfortunately, as Who enters its last third, it begins to sag. There's some The Who Sell Out here, some Tommy there, plus an abundance of Quadrophenia and The Who by Numbers too. Reviews Album Reviews The Who – ‘WHO’ review: 13 years since their last album, this stands up alongside their classics Whether Roger Daltrey is bellowing through anti-war flamenco or … JohnXDoesn't January 27th 2006 “Who” is actually a fairly fun album about not particularly light subject matter — like whether the soul survives the body, or, more urgently, whether … Better, and more appropriate, is Townshend's offhand and partly off-mic "Who gives a fuck?" Author Classic Rock Review Posted on February 24, 2013 December 9, 2018 Categories Album Reviews Tags 1973 Albums, 2013 Reviews, Album Reviews by Ric Albano, British Artists, Pete Townshend, The Who 4 thoughts on “ Quadrophenia by The Who” This is probably the worst album by The Who out there (along with It's Hard). © 2021 Guardian News & Media Limited or its affiliated companies. "Hero Ground Zero" recalls the band's mid-'70s arena-rock years with big vocals and even bigger guitar fills, complete with Quadrophenia-style orchestral flourishes. In 1972, he worked on an unreleased projected called Rock Is Dead. Great albums that don't attach themselves to my being. That familiarity at times is its greatest asset. … We’re chewing a bone.” He was 32. review: morgan wallen – dangerous – the double album (2021) review: frank iero and the future violents – heaven is a place, this is a place (2021) take your meds; ken gets lost; cape fear; the enigma coda; live your dreamshade; cold as hell; review: samtar – “the curse of infinite luminosity” (2021) find the bands that you love The Who weren’t even supposed to be a band, he said in 2006. The fantastic Detour has a definite air of Magic Bus, as well as a titular nod to the name that the nascent Who plied their trade under in the early 60s. If it is, then they’re going out the way they came in: as cussed and awkward and troubled as ever. 10 Jan. David Bowie: Five Years. The Who: Who album art work. It's a fine line that Townshend and Daltrey toe here, crafting a rock 'n' roll record for an audience that may not even be listening anymore. It's not a retread, but it sounds like a Who album, which is crucial for something like this, as well as an upgrade for the 21st century. Meaning my review and, in the grander scheme of things, the most recent offering from Pete Townshend and Roger Daltrey, still trading under the name “THE WHO”. Read More . Osian Rhys: The Ballad of Mr WithersA beautiful autumnal drift of a debut single: orchestrated psych-folk with a hint of Gorky’s Zygotic Mynci in the mix. Or worse: at one point, he suggested the band douse themselves in petrol and set fire to themselves on stage. The 200 Best Albums of the 1960s Bob Dylan, Aretha Franklin, Albert Ayler, the Velvet Underground, Eric Dolphy, Dusty Springfield, and the other artists who … The duo didn’t die before they got old. (Polydor)Despite their precarious relationship, Daltrey and Townshend return for their first album in 13 years, snarling at the Grenfell disaster and hoping for world peace, Thu 28 Nov 2019 12.00 GMT A Baba O’Riley-ish synth flutters around Street Song; an echo of Substitute’s intro haunts the acoustic guitar of I Don’t Wanna Get Wise. The Who Who Universal Music Standing among the last classic rock bands from the 1960s, The Who have returned with WHO, their first album in 13 years. Author Classic Rock Review Posted on December 14, 2015 February 10, 2020 Categories Album Reviews Tags 1965 Albums, 2015 Reviews, Album Reviews by Ric Albano, British Artists, Pete Townshend, The Who Leave a Reply Cancel reply It’s been 13 years since their last studio album, with “ Endless Wire ” in itself the first Who album since the … "I don't care, I know you're gonna hate this song," sings Daltrey in the very first line of "All This Music Must Fade," the opening song on Who, their 12th album. The Who, in the year of our Lord 2019, have released a new album. This is obviously not the way heritage rock artists essaying their first album in 13 years are meant to carry on. The Lowdown: Of all the original classic rock … In the 13 years since the Who's last album, Endless Wire, Roger Daltrey and Pete Townshend released solo records, wrote books and toured together as the band they formed back in 1964. Announcing the album in January, Townshend led us to expect ‘dark ballads, heavy rock stuff, experimental electronica… and Who-ish tunes… with a guitar that goes yang-a-dang’. And so Who recalls bits and pieces of their classic years. No member of the rock aristocracy has ever seemed as troubled by the very notion of being a rock star as Pete Townshend. Who certainly does some of the things that artists of their vintage are supposed to do, including make knowing references to their most beloved work. With a legacy spanning over 55 years, founding members Pete Townshend and Roger Daltrey are back with long-time touring members, bassist Pino Palladino and drummer Zak Starkey – along with a revolving door of featured artists, … I like a few songs from it, but the synthesizers just sound awful and really dated as you pointed out. The last new music from the band — by then, as now, reduced to half... View Article And therefore I don't listen to them but once every several years. I wouldn't recommend this album except for huge fans of the Who. So you think '21 is gonna be a good year. Instead, he settled for metaphorically thrashing about, seemingly in the throes of a perpetual existential crisis, writing songs that were, as writer Jon Savage put it, “at war”: with the older generation, with the class system, with accepted notions of gender, with the commodification of pop and, frequently, with the Who and their audience. While frequently joining forces for tours and other projects, Pete Townshend and Roger Daltrey have released just two studio albums as The Who … Pitchfork is the most trusted voice in music. The Who review, Who: The fire is still burning. The Kids Are Alright (1979) ** Released to accompany Jeff Stein’s documentary of archive clips, The … This album is laboured trudge though the same old musical territory that they have been to before but with no sense of any development. AllMusic Review by Stephen Thomas Erlewine [+] It's not billed that way but given the Who 's productivity since their initial split in 1982, it's difficult not to view 2019's Who as the band's final album. All rights reserved. This is obviously not the way heritage rock artists essaying their first album in 13 years are meant to carry on. And that opener, "All This Music Must Fade," is almost self-aware but without any sentimentality or nostalgia creeping in. Inspired by the Grenfell disaster, Street Song carries a distinct hint of Won’t Get Fooled Again’s furious snarl; Beads on One String rather sweetly sticks fast to a hippy-ish notion of universal brotherhood and the potential for world peace. I’ll Be Back is a lovely, Townshend-sung, harmonica-decorated bit of acoustic MOR that ruminates on dignity and reincarnation, while the folky stomp of Break the News, written by Townshend’s brother Simon, hymns the pleasures of old age, among them “watching movies in our dressing gowns”, which frankly seems like straight-up trolling of the kind of person who feels obliged to bring up My Generation’s thoughts about the relative merits of dying and ageing, whenever the Who’s name is mentioned. ALBUM REVIEW: The Who shows who’s ‘Who’ on new record Six months after the release of The Who ’s new album, Who, the last two members of the original lineup will be north of 75 years old. Whereas the White Album, The Who Sell Out, Exile On Main Street, Who's Next, Machine Head, Forever Changes and The Stooges Fun House bond like, well, Bondo to me. They've also made a renewed commitment to rock 'n' roll in that time, maybe sensing they're not going to be around forever. This is the first in 13 years; before that, the gap had been 24. “I don’t care,” the band’s 75-year-old frontman sings, “I know you’re going to hate this song.” There follows four and half minutes of agonising over whether there’s any point in making a new Who album at all – “this sound that we share has already been played” – before songwriter Townshend signs off on All This Music Must Fade with a muttered “who gives a fuck?”. However, waiting is nothing new for The Who fans. Read More Post-Keith Moon, The Who already readied themselves from constant buggering of disbandment or the threat that they will never release another great album due to them being crippled in manpower. There are bursts of Auto-Tuned vocals. "We raised some hell," Daltrey sings at the end of Who like a man who's resigned himself to shaking his fists at kids in his yard. Search query All Results. Reviews. It's a throwback record for the most part, with nods all over the place to their classic work. The band here, aided by such studio pros as Pino Palladino, Benmont Tench and Joey Waronker, plays along more linear lines, whether it's on the Who's Next-like power rocker "I Don't Wanna Get Wise" or "Detour," a possible reference to one of the group's original names. The post Album Review: The Who Remain Blunt as Ever on Uneven WHO appeared first on Consequence of Sound.. Nor is Who afraid of assaulting its audience’s preconceptions. ... It’s no surprise, then, that on The Who’s first album in 13 years, the band sound as restless and searching as they’ve ever been. On its face, after just one or two listens, we hear some catchy songs, memorable lyrics, unique production, and the intriguing vocals of the aged Roger Daltrey. In truth, Townshend ruined his own plan by being such an innovative songwriter and performer that giving up no longer seemed like an option. You get the feeling Townshend knows precisely who’s going to buy a new Who album in 2019, largely because he frequently seems to be having a high old time doing precisely the opposite of what they might expect. Daily reviews of every important album in music.

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