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Of all lead acting slots on broadcast shows in 2018–19, people of color held 24.0%, almost a fivefold increase from 2011–12 when it was 5.1%. The Hollywood Diversity Report The 2019 Hollywood Diversity Report from UCLA further supports previous findings that increasingly diverse audiences seek diverse television and movie content. HOLLYWOOD DIVERSITY REPORT 2018 The Data The Hollywood Diversity Report 2018 examines 174 theatrical films released in 2016,1 as well as 1,251 television shows airing or streaming during the 2015-16 season.2 The television shows were distributed across six broadcast networks, 65 cable networks, and 37 digital platforms. Most notably in the executive suite, there has been very little change since we began compiling data five years ago. We live vicariously through the pleasures and pains of the Diversity in film. “There has been a lot of progress for women and people of color in front of the camera,” said Darnell Hunt, dean of the, division of social sciences in the UCLA College, and a co-author of the report. 52015 Hollywood Diversity Report The Hollywood Landscape when the blue and red lines cross. “There has been a lot of progress for women and people of color in front of the camera,” said Darnell Hunt, dean of the division of social sciences in the UCLA College and a co-author of the report. Part 1, which focuses on 2018 and 2019 Hollywood theatrical films, was released in February 2020. But both groups still are not represented proportionately to their share of the U.S. population overall, even though audiences continue to show interest in programs whose casts, directors and writers represent the nation’s diversity. Hollywood Has A Major Diversity Problem, USC Study Finds : The Two-Way The study examined more than 21,000 characters and behind-the-scenes … Although the Hollywood Diversity Report originated in the UCLA Ralph J. Bunche Center for African American Studies, since 2018 it has been produced by the Division of Social Sciences in the UCLA College. I f you’ve seen one study about the state of diversity in Hollywood, you won’t be surprised by the results of the latest. The Hollywood Diversity Association is dedicated to addressing the inclusion crisis in the film and television industry. “Just as with film, it’s those at the top of the television industry who have the most power to foster talent and invest in programming,” said Ana-Christina Ramon, a co-author of the report and director of research and civic engagement in the UCLA division of social sciences. “Unfortunately, there has not been the same level of progress behind the camera. Among digital programs, just 10.3% of show creators were minorities; in broadcast, 10.7%; and for cable, 14.7%. diversity and the bottom line in the Hollywood entertainment industry. In 2018–19, minority actors were almost proportionally represented (35.0%) among lead roles in scripted cable shows. “Reports in this series have repeatedly found that films and television shows with casts attuned to America’s diversity tend to register the highest global box office figures and viewer ratings. That's a relatively new phenomenon that ... most people would not have been talking about that, you know, five, 10 years ago. Titled, “Old Story, New Beginning,” the report examined 12 different jobs among the creators, directors and top-billed cast of the top movies for 2017 as well as 1,316 broadcast television, cable and digital shows from the 2016 to 2017 programming season. Earlier this year, the Ralph J. Bunche Center for African American Studies at UCLA released their 2019 Hollywood Diversity Report. Women held 28.6% of show creator titles for digital programs, 28.1% for broadcast and 22.4% for cable. Part one, which was published in February, analyzed diversity in the movie business, and the authors concluded that the industry’s narrative on diversity was a tale of two Hollywoods. UCLA Hollywood Diversity Report suggests the industry must do more to meet the moment, © 2021 Regents of University of California. Latinos and Asian Americans remain significantly underrepresented in nearly all industry positions. Please attribute findings from the report accordingly. Protagonists were more diverse and there were more women behind the camera in 2019, but other areas are still lacking, the USC Annenberg School report says. 2016 UCLA Diversity Report. "When we started to study diversity ... it was kind of seen as a luxury, as something that you'd get around to but it's not what's driving day-to-day business practices," Hunt says. Representation of women and minorities in acting roles has improved since last year’s report. The report states that evidence continues to suggest "America's increasingly diverse audiences prefer diverse film and television content," and that "diversity is essential for Hollywood's bottom line.". Black actors reached proportional representation (12.9%) among lead actors in cable scripted shows in 2017–18 and lead actors in cable scripted programs (14.1%) in 2018–19. (see Table 1, Appendix). The Hollywood Diversity Report also found a strong correlation between the inclusion of minorities and women in films and television and high television ratings and box office success. UCLA’s 2019 Hollywood diversity report is hopeful for a more inclusive future in the industry and argues that "diversity is essential for Hollywood’s bottom line.” Each Hollywood Diversity Report has further established that audiences value and respond to diversity. elated: UCLA report outlines strategy toward diversity in Hollywood. Get top research & news headlines four days a week. He notes how industry attitudes toward diversity have changed since his group's first study, published in 2014. The television industry’s exclusion of female show creators and people of color has only gotten worse in ... a UCLA sociology professor and the co-author of the annual Hollywood diversity report. They write that the same is true in TV. HOLLYWOOD DIVERSITY REPORT 2019 The Data The Hollywood Diversity Report 2019 examines 167 theatrical films released in 2017,2 as well as 1,316 television shows airing or streaming during the 2016-17 season.3 The television shows were distributed across six broadcast networks, 62 cable networks, and 48 digital platforms. View and download tables and charts from the Hollywood Diversity Report here. The report’s authors have tracked film and television diversity data since 2014, making the study the most comprehensive record of the industry’s progress on diversity hiring. ► Related: UCLA report outlines strategy toward diversity in Hollywood. Hollywood Diversity Report Says ... statistics showed most of the executive decision-making is being carried out by white males in both television and film. “The underrepresentation of people of color in the executive suite, and as creators, writers and directors is problematic, even if there are more people of color in acting roles. There is minimal presence in any job category for people of Middle Eastern and North African descent, and virtually zero representation for Native Americans. The annual Hollywood Diversity Report looks at diversity both in front of and behind the camera. One of the authors of a new study says the Hollywood 'prequel to OscarsSoWhite is HollywoodSoWhite.' That’s very telling, particularly in light of our current racial reckoning.”, The report, which is compiled and published by researchers in the UCLA College social sciences division, tracks two seasons of scripted broadcast, cable and digital programming — 453 shows in 2017. Darnell Hunt is a professor of sociology and African-American studies at UCLA and co-authored the study. 2014 Hollywood Diversity Report 2 The Hollywood Landscape As humans, we are addicted to story.7 The Hollywood entertainment industry caters to our thirst for stories by providing us with a seemingly endless supply of theatrical films and television shows. This report, Part 2, considers the latest two television seasons since the previous Hollywood Diversity Report release — the 2017-18 and 2018-19 seasons. To put it simply: When Hollywood executives and creators don’t prioritize equitable representation in characters and storylines, they’re leaving money on the table. The 2019 Hollywood Diversity Report from UCLA further supports previous findings that increasingly diverse audiences seek diverse television and movie content. Those are among the findings of the second part of the 2020 UCLA Hollywood Diversity Report, which focuses on broadcast, cable and digital programming for the past two television seasons. Please note that Darnell Hunt is the Dean of Social Sciences at UCLA. Now, Hunt said, a big question is whether the nation’s current racial reckoning will have a significant effect on the industry’s hiring practices in a way that will be apparent in next year’s report. Novel coronavirus (COVID-19) information for the UCLA campus community, Stepping up: UCLA Foundation gives $5 million for student financial aid, Q&A: How the Biden presidency could shape U.S.-Israel relations, 2020 reflections: A year of accomplishments, challenges and compassion. “Over time, work has been done to improve representation among certain groups — like Black actors in particular — but the near absence of Native Americans in these jobs is potent evidence that systems of racial erasure continue to exist,” Hunt said. Courtesy of UCLA’s Hollywood Diversity Report 2018 Latino representation on TV is remarkably gender-equal, but we're still underrepresented in … Among Black households, all 10 of the top-rated broadcast TV shows in 2018–19 featured casts that were at least 21% minority. , and the authors concluded that the industry’s narrative on diversity was a tale of two Hollywoods. The report found that many top-rated, scripted broadcast TV shows have diverse casts. “Unfortunately, there has not been the same level of progress behind the camera. First, it aims to generate research analyses of the inclusion of diverse groups in the various roles of film and television. second part of the 2020 UCLA Hollywood Diversity Report. Warner Bros. Of the multitude of diversity reports released in 2019 that show how Hollywood has been improving or failing recently in representation, … Judging viewers’ activity on Facebook, Instagram and Twitter activity around scripted cable TV shows, figures spiked when the shows had majority-minority casts. Gains and losses in representation for minorities and women for 13 job categories, Racial/ethnic distribution of acting roles on broadcast shows, 2018–19, Ratings for 2018–19 cable programs based on cast diversity, Ratings for ratings for 2018–19 digital programs based on cast diversity, Jessica Wolf ", 2018 Hollywood Diversity Study Finds 'Mixed Bag' When It Comes To Representation. When people of color do not control their own narrative, their characters’ storylines may lack authenticity, may be written stereotypically or their characters may even be depicted as ‘raceless.’”. 2014 Hollywood Diversity Report: Making Sense of the Disconnect. Today, everyone's talking about it. "Over time, as it became clear that audiences were becoming more diverse and that they were demanding diverse content, diversity itself was seen as a business imperative. Frederic J. Brown/AFP/Getty Images Looks like television networks and studios are just as tone deaf on Latinx representation as The L.A. Times. Subscribe to a UCLA Newsroom RSS feed and our story headlines will be automatically delivered to your news reader. Among all senior executive positions, 93% percent are held by white people and 80% by men. The analysis found that the greatest racial and gender disparities are in behind-the-camera jobs such as show creator, writer and director: And white men still dominate the high-level TV executive jobs. The Netflix limited series “When they See Us” was one of the top-rated digital programs of the 2018–19 season. Ratings and social media engagement data show that audiences respond to diversity. jwolf@stratcomm.ucla.edu. ► Related: Why is progress so slow for Latinos in Hollywood? Like, 'We have to figure out ways to create more diverse products because that's what today's increasingly diverse audiences are demanding.' It also looks at box office and ratings. That’s very telling, particularly in light of our current racial reckoning.”. (Check your inbox or spam filter for confirmation.). Click image for full description and download. Hollywood needs diversity in its movies and TV to stay attractive to the increasingly diverse U.S. audience, according to a new "Flipping the Script" by UCLA's Ralph Bunche Center. The report states that evidence continues to suggest "America's increasingly diverse audiences prefer diverse film and television content," and that "diversity is essential for Hollywood… The 2020 Hollywood Diversity Report also includes a workplace analysis of 11 major and mid-major studios, which found that 91% of C-level positions are held by white people and 82% are held by men. R elated: UCLA report outlines strategy toward diversity in Hollywood. In 2018–19, only 24.0% of credited writers were minorities and only 21.8% of all episodes airing or streaming were directed by minorities, on average, across broadcast, cable, and digital platforms. In all other job categories reviewed in the report, men hold almost twice as many jobs as women and whites hold at least twice as many as minorities. (see Table 1, Appendix). Black actors were also overrepresented in total cast diversity for broadcast (18.0%) and cable shows (18.2%) in 2018–19. As of 2020, chair/CEO positions were overwhelmingly held by white people (92.0%) and men (68.0%); and the statistics were similar for of senior executives (84.0% white, 60.0% male) and unit heads (87.0% white, 54.0% male). Across broadcast, cable and digital, only 24.0% of credited writers are minorities and only 21.8% of episodes were directed by minorities in 2018–19. Gains have been made for women and people of color who work in movies and TV, but the numbers remain a long way from proportionately reflecting the U.S. population, according to a new study from UCLA. Is Hollywood truly representing us? The Hollywood Diversity Report stems from the Division of Social Science’s larger Hollywood Advancement Project which prioritizes three goals. The report uses charts documenting global box office and television ratings to argue “that diversity is essential for Hollywood’s bottom line.” Culling data from 2016 to 2017, this year’s report surveys a pre-“Black Panther” Hollywood. Absent The previous Hollywood Diversity Report concluded that there was an apparent disconnect between the industry’s professed focus on the bottom line and actual staffing practices in film, broadcast television… It examines Women and minorities made gains in nearly all of the 13 television employment categories tracked by the report. (Minorities represent 40.2% of the population overall.) tables and charts from the Hollywood Diversity Report here. Most notably in the executive suite, there has been very little change since we began compiling data five years ago. 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